ARCO E-XHIBITIONS. Zoran Music
When looking at his work we can see a man who wants to teach us to look and obliges us to imagine, as well as imposing upon us the need to travel towards the inside of what we can see. His brushstrokes peel back the skin of life and expose what we avoid in our everyday wanderings. Stealthily, and always in silence, his painting warns us of the importance of expanding on everything that the painting only suggests, and resolutely, and always calmly, exposes our remediable incapacity to delve deeply into art.
Music finds the creative force that leads him to get past the limits of stereotypes in solitude and meditation. From this emerges the expressiveness that leads us and guides us through his pictorial cycles, through those “silent landscapes”, those arid and desolate worlds that sees and remembers and that are the basis of all of his work. This expressiveness, full of glazes and translucent layers, turns the man into landscape and the landscape into man and this reciprocity reveals the anguish that painting is for him, or in other words, his life. For Music, a painter’s life is in his canvases.
His painting deliberately skirts around the rules in order to be able to tell the whole truth whilst ceaselessly providing a discourse on the body’s fragility to the passage of time. Whilst filling the void that his solitude imposes, his painting respects the doubts that feed the art created from a spirit of overcoming and the resulting tension of this process guarantees the prevalence of the emotions, the triumph of the heart against the mind and behind all of this emanates his ability to persuade us to continue looking at his work, if we let ourselves, with the aim of understanding all of his subtleties.